故事是这样的：在一处被沙尘与铁锈覆盖的末世荒原上，双腿残疾的男人与他沉默寡言的妹妹守着破败的房屋度日，直到一位自称能从云中唤来“空气之魂”的流浪者闯入，三人开始互相试探、依赖，最终走向一场关于信仰与牺牲的失控仪式。主演Michael Lake与Melissa Davis的表演极克制——前者用微表情传递角色在虚实边界上的困惑，后者则通过冷静的肢体语言暗示“云精灵”的非人类属性。特效虽然简陋，但那种手绘质感反而特有味道。它独到的地方在于：用“慢”和“空”来反衬人类对自然的暴力，比那些直接砸钱做生态灾难场面的片子更戳人。导演普罗亚斯用极少的对白和大量缓慢推拉的长镜头，把观众拽进一种凝固的孤独里。剧情？其实就是仨人在没水没电的废墟里过日子，还非要把一个陌生姑娘当成天使。
非常棒的超现实科幻片,与很像,导演Alex Proyas后来还拍了那部著名的,这是他的处女作.以下地址有详细介绍和剧照： Like a dream, some things can only be experienced to understand This film has some of the most beautiful imagery and haunting music ever. (Not to overstate it or anything) A three hander set in a post apocalyptic Oz outback (but one which is wildly more fantastical than Mad Max), Spirits of the Air tells the story of Smith, a stranger on the run who happens upon Felix and Betty, far into the desert. All around them are amazing images of cars buried into the ground like totems, huge flags blowing madly in the desert wind and their house itself is of the old oz pioneer style but decorated everywhere with crucifixes. Felix is an inventor obsessed with flight and making a glider, an obsession which has already left him in a wheel chair. Betty is one of the truly great film characters, just an absolute tripper - I can't describe her but the performance is a delight. This is not a fast film, it is not action packed but is intense - the imagery and art direction are beautiful, the writing is distinct and very Australian but still universal, the soundtrack is haunting (a lot of windsound montages with a simple tune used to great effect) and the performances are both real and surreal. Until you see this film (and for those who have enjoyed the increasingly brilliant work of Alex Proyas, you really should) you won't know what you are missing.相关搜索：
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