故事是这样的：一个普通男人某天发现自己脑中想象的画面会悄然变成现实，起初只是弄丢的钥匙、熄灭的灯这类小事，但随着他尝试控制这一能力，身边的世界开始出现微妙的扭曲——邻居的古怪举动、女友的异样目光，仿佛有什么力量在暗中反噬他的念头。Lotte Tarp的角色像一束冷光，稍微缓和了点压抑感。配乐少得可怜，镜头老怼着人脸拍，你光看表情就能感觉到那种毛骨悚然。和《索拉里斯星》那种宏大哲学不同，这片子把存在主义焦虑塞进北欧的冷色调客厅里。Lotte Tarp饰演的妻子在厨房里慢镜头打碎盘子的段落，用日常琐事包装了巨大惊悚。Lotte Tarp饰演的妻子则像是这场精神围猎中的一面镜子，她的沉默与凝视往往比台词更具张力。
The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.相关搜索：
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